21
Over the river and through the woods

Over the river and through the woods
“SOME DAY I WILL BUILD HERE” – Lucia Weinhardt
When I first found it years ago,
this ramshackle affair was just barely a footprint
on a sweet and lonely piece of land
not too far from the back side’s ever-alluring edge.
Nestled amongst the low-lying scrub
and the skeletal bones of the once burnt and still sea-bent pines.
listing a bit beneath hovering crows and lowering skies,
those well-worn boards (barely four walls and some kind of floor)
called out to be stepped within and ruminated over – sung to me
“Come on in – check out the view! This place has possibilities!”
And then I found the words – were they scrawled in spray paint or brushed on by hand?
I don’t remember, but I do recall that the lettering was bold
and the intent was clear – a stake had been claimed, and plans had been laid.
I felt an instant link to the scrawler of these words – something in his determination spoke to me,
something in the certitude…
With utter simplicity he’d conveyed worlds of meaning and passion
and I felt an indefinable tie to the person whose
sure hand had laid down those letters and laid bare his dreams like that.
We stayed a little while, soaking up what was left of the day’s sun,
wondering together what the story was,
dreaming our own dreams,
wondering would he build.
Now years have passed, and I’ve never sought out that little shack again -
(don’t know if it still stands)
but it always makes me smile to think of it
and those words, so strong and determned
and I feel certain that even if the walls have crumbled,
that dream still hovers there
just like the crows that surely still haunt the place with their own fierce cries.
Lucia Weinhardt
In the event you missed it, Monhegan is considered the only “little known dream Island” in the US and is in the top 10 of the world.
RETURN TO THE SUMMER HOUSE
Air before rain,
air so sweet
I weep
my grandmother’s tears
as I open
each window
of the
closed
house,
remembering the scent of
water
in the air,
and her hair down to
brush out
before the sun had fully
set,
that slow, slow going down
of the July day,
the smell of gas from the
stove
where she was warming
milk
to drink
before bed.
How fresh the sheets of
night air
that surround a
child of eight,
how close the sound of the
whip-por-will at dusk,
how certain
the smell of
her
grandmother’s old skin.
II
When we got to the
cottage,
the grass
was not
mowed.
It lay like long bleached
hair
in swirls
as if under
water,
flattened like beds where
lovers had lain.
I feel their ghosts as close
as
the marks
left by damp hair against
damp skin,
like corn husk where the
silk has pressed,
like rivulets of sand where
the tide has run.
III
I shiver
walking naked to the
bathroom,
the night sky follows me
at every window,
last streaks of sun linger
on the horizon
after the storm has
passed,
the sky above
still,
black
on
blue,
and the flames of light
lick out
like tongues on the rim of
the sea.
Returning, I sleep the
deep
sleep of the very young
who go
to bed
before the sun.
Kate Cheney Chappell